After his scrawny neck from the bags Fendi encounter case show in Milan that 2016 was the bird of paradise the fierce ruling motive for resort. There is no romantic flower, like the Orchid, was Karl Lagerfeld’s Fendi previous fleeting fancy, but its edgy beauty was the perfect expression of duality, that most intriguing makes this House Italy. The bird of paradise has tips and edges; the nature supplement the collection of architectural was strict. (New Fendi in Rome are inspiring gift for Lagerfeld and his design team with holds.) He borrowed a literal beautiful print on a silk summer dress and a gown completely bypassed. Abstracts an angular graphic on one made completely bypassed, white-collar schoolgirl dress. Printed on cotton Matelassé of a coat or a jacket, the bird of paradise was almost a classic weave. And it reproduces strikingly like a mink patch on the top of cashmere.
This latest collection is visibly layered – not in the sense of articles of clothing up to double, but in the historic core – the Roman Furrier-savoir-faire is evident in imaginative techniques that the heart jump. The collection of eye-catcher: Intarsia Gilets with appealing bird of paradise flower motif sheared mink snippets or fur teased in a vibrant, tropical Intarsias, hovering slightly as Voile proof of Karl Lagerfeld 50 years on the lace design transform archive designs such as the early nineties Cioccolatino reversible parkas (named because the metallic leather is similar to chocolate wrapper) costly in new editions khaki fur , or assertive strokes freewheel color such as yellow, orange or ochre stripes on the fringes of the chic Caban jackets.
The Fendi fur collection can dominate its history, but for the resort, the talk was all about technical wizardry: braided leather and cotton denim (jackets and skirts and shorts combos trimmed with a sporty red leather) spend could, like Dégradé silk printed could imitate and a Jean rompers quilted blue cotton Matelassé could an urban parka called. In possibly the most luxurious incarnation of the denim jacket yet, a reversible pale blue mink bomber doubles as democratic Work wear Blouson. It embodies luxury, but still felt casual, underlines do not care how much the medium: they were all memorable. Illusion the leitmotif continued with laser-cut and perforated pony hair and leather separates, cotton flippy in many worked pieces (a first for Fendi), which gave them an airy quality.
There was also other thing. Lagerfeld seemed to support, so that a soft Strelitzia had silk printing a square neckline a duality in its designs (the word tectonic was blown) or male, strong fronted jackets with comic ruffle detail on the back, and many Prime leather collars and large pockets have been added, softer fabrics such as silk. You challenging opportunities, adds a panorama similar to the conversion of the labels Selleria line, a collection of Fendi iconic pieces Roman leather hand made. Elements such as the Biker jacket were overtaken in a carbonated silver hue, conjures up a sparkling new spin on “Made in Roma”.
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